Frost's poem "Considerable Speck" at first conveys the notion that Frost thinks "idly" of a microorganism; likely a bit of dust dancing across the paper, in all other instances invisible. Frost does not think of the dust's "life," a thing which he later attributes to it despite recognition in the "collectivistic regimenting love with which the modern world is being swept."
Frost conveys a sense of compassion for the speck to the reader by personifying it, giving the thing emotions, anger, fear, and most potently, a desire to continue living. The speck has "inclinations", and "suspicion" of the pen which Frost contemplates using to end its life. Frost, too, makes it apparent his own affirmed belief in the speck's life with strong diction such as "plainly" in describing the intelligence of the organism. We are made to sympathize with the speck when we are alerted that it very much "didn't want to die."
The speck then pauses, awaiting the fate appointed by Frost, pen poised, and we wish that Frost will not terminate it. Frost leads us then to a disclaimer in his disbelief of the love of the modern world, though follows his statement by undercutting it with "But this poor microscopic item now!" Frost is doing precisely what he decried-- attributing life and a love for a piece of dust.
Frost comments that he let it lie "to sleep" for the reason that he knew no evil of it. Here, Frost seems to be making a comment: that we all too often attribute evilness to objects undeserving. In the final stanza, Frost changes the rhyme scheme to signal the close of the poem and his final thoughts. He leaves us with this: that the inanimate object on his paper to him represents a mind, which no matter the size or relevance, is to him worth saving.
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